Illustrations and digital artworks

I often combine analog and digital processes when it comes to the visual design of an artwork. However, the digital part is usually just a step that makes a step easier or complements it. The analog process, on the other hand, plays an emotional role for me, as the individual touch comes more to the fore here. For this reason, I pay more attention on it.

Robot Illustration

Medium: Watercolour on paper
Technique: Construction
Size: 56 x 41 cm

How I started to work was a really quite simple step. I drew a line from top to bottom on the paper. Next, I started to sketch the head and its fragments, constructing geometric shapes. The main idea was to make the characters flat, abstract and surrealistic, without shadows or plasticity. I had a sort of mural in mind and wanted to keep it simple to focus on the colored layers . I constructed only one side and later transferred each point and line or circle to the other side.

>> More about Robots

Clockwork Orange Character Alex

Medium: Fineliner and paper cut
Technique: Mixed Media
Size: DIN A4

At some point I asked myself why I have been dealing with Alex DeLarge from Clockwork Orange for weeks or even months. And always with the same motif: a photographed scene from the film of the same name by Stanley Krubick, in which the actor Malcolm McDowell turns his head slightly tilted his gaze into the camera.

>> More about A Clockwork Orange Illustration

Samurai Illustration

Medium: Fineliner and paper cut
Technique: Mixed Media
Size: DIN A4

The birth of an animal punk band – The Rats of Bonn

Medium: Ink and watercolour
Technique: Mixed Media
Size: DIN A4

Inspired by the many rats that live in my hometown Bonn. One of them visited me in my studio…

Trump Terror

Medium: Fineliner and watercolour
Technique:
Size: DIN A4

„The best way to confront with someone is to draw him.“

Women Illustration

Medium: Fineliner and watercolour
Technique: Mixed Media
Size: DIN A1